ATTENTION: Actors, Talent Managers, Acting Teachers, Parents of Child Actors
How to Succeed in ...
‘The Business of Acting’
Want Your Name in Lights in Movies or Television?
Are You the Parent of the Next Child Star? Want to Avoid the Scams & Pitfalls of the Learning Curve?
‘If You Want to Make it in Show Business ...’
... you need to know everything about the profession. Not just how to act, or how to write, or how to model. You need to know everything! It puts you on the silver screen, not just in the audience watching the show.
That's why I've created this manual. It will guide you step-by-step through the maze known as Hollywood.
You'll even discover ‘Insider Secrets’ the film schools won’t share with you.
For instance:
Who to cultivate because they may be responsible for your Academy Award
The #1 reason why it's so hard to get a good agent in Hollywood or New York when you're first starting out
What having a full resume of student films, stage, minor roles and training tells an agent
Why you should never list your home address or phone number on your resume
How to do a market survey that will determine your "type"
How to present your portfolio
Types of headshots and how to choose
What never to put on your portfolio, and why
What to include in your child's portfolio
Why you shouldn't use headshots for a child under 5 years old
Why you should never sign with an agent who isn't a SAG Franchised Agent
How to find out about casting calls
Why you should watch those attorney phone calls
The exception you need to know to get your union card
Which is the most prestigious of the acting unions & the hardest to get into
How your salary is calculated - including over-time
What you need to consider in your motion picture deal
What you need to know about your television deals
Why even stars do commercials
Who is entitled to residuals
How to avoid being exploited
Where to find the best training
Just Take a Look at the Table of Contents
What is needed to Succeed?
Training and experience
Talent
Courage
Patience
Common Sense
Good Work Ethic
Above the Line
Who is Considered ‘Above the Line?’
Job Descriptions
Below the Line
Who is Considered ‘Below the Line?’
Job Descriptions
Types of Roles
Definitions of Types of Acting Roles
Other Types of Acting Jobs
Jobs You May Not Have Thought About
Agents
There are Agents, then, There are AGENTS!
Big Agencies vs. Small Agencies
What do Agents do?
Do Agents Get Their Clients Work?
Do Agents Recognize Creative Talent?
Getting Your First Agent
Courting an Agent
Getting Agents to Work for You
Things an Agent Will Want to Know
Managers
Do You Need to Sign a Contract?
Power of Attorney
Business Managers
Lawyers
A Necessary Evil?
How Early Should You Look For a Lawyer?
Finding an Attorney
Publicists and Press Agents
Who Needs a Publicist?
When to Get a Publicist
Casting Director
The Casting Directors Job
What Powers do They Hold?
The First Contact
Where and How They Find Talent
What THEIR Survival Depends On
Personal Trainer
Don’t Overlook this Team Member
The Most Important Person in Hollywood
Bar None, This Person You Must Get to Know
Headshots
The Photographer’s Job
Who is in Control?
Headshots that Work
Determining Your ‘Type’
Portfolio
What it is and What it’s For
Characters You Can Play
Commercial Composite
Resume
What Should & Should Not Be on Your Resume
Unions
Screen Actors Guild
American Federation of Television and Radio Artists
Actors’ Equity Association
American Guild of Variety Artists
American Guild of Musical Artists
Directors Guild of America
Writers Guild of America
International Alliance of Theatrical Stage Employees
Other Industry Unions
The Business Side
Association of Motion Picture & Television Producers
National Association of Theater Owners
Association of Independent Commercial Producers
Association of Talent Agents
American Society of Cinematographers
Casting Society of America
Getting your Union Card
Working Non-Union
The Trades
What They Are
Which Ones are a ‘Must’
Letting Them Know You're in Town
Demo Tapes
Student Films
Stand-up Comedy
Industrial and Educational Films
The Porn Industry
Contracts
Difference Between Movie and TV Contracts
Pay or Play
Tax Indemnity
Gross Participation
Net Participation
Breakeven
Deferment
Studio Accounting
Off the Tops
Distribution Fees
Interest
Negative Costs
Gross Participants
Overhead
Motion Picture Deals
Basic Components of a Motion Picture Deal
Pre-production and Post-production
Compensation Structure
Typical Production Schedule
Overtime
Television Deals
Basic Components of a Television Deal
Episodic Deal
Compensation
Scale
Major Role
Commercial Work
Pay
List of Jobs and Scale Payments
Non-union Compensation
Residuals
Credit
Surviving the Hard Times
When Will I Work Again?
Your First ‘Real’ Job
Exploiting the ‘Break’
Avoid Being Exploited
Scams
True Stories
Avoiding Scams
Common Sense
The Breakdowns
The Way it Works in Hollywood and New York
Who Gets Them?
Training
Teachers
Seminars
Film schools
Acting schools
‘The Business of Acting’ will answer all of your questions and give you step-by-step directions if you want to work in the ‘Business.’ Like anything else, the better educated you are, the better chance you have of making it BIG!
Dear Steve,
Thank you so much! If anyone is serious about making it as an actor, they need your manual. I used your technique for finding my 'type' for my new headshot. I've doubled my audition calls. I thank you, and my agent thanks you.
David Leslie Thomas, Nashville, Tennessee
Steve,
... the advice, as you say, is priceless ...
Kate Danaher Parks, Wilmington, Delaware
Dear Steve,
I really appreciate how simple and straight forward your book is. I’ve never thought about how important it is to know the business side. I feel very confident, that with your book by my side, my four year old is going to be a STAR!
Carlye Creamer, Orlando, Florida
Hi Steve,
I joined the union (AGVA) at 15 and worked in the entertainment business for 20 years. It was fun, exciting and glamorous, no doubt about that. But, had I known all the material in your course when I started, a lot of blood, sweat and tears would have been avoided. This is a "must read" for anyone starting out in the business! Amazing job!
jl scott, ph.d. Orlando, Florida
Dear Fellow Artist,
My name is Steve McChesney. That’s my real name. I used to go by another name. My professional name was Mac Stephens. ‘The Business of Acting’ isn't a book on acting technique. It's all about the business!
I’ve spent most of my life in the entertainment business. I’ve been an actor, a stunt man, a writer, a producer and a director. Oh, I was also a personal manager handling celebrity talent.
Portfolio Headshots. They're all me!
You see, I made the entertainment business a career. I learned through schooling and on-the-job training.
I have been a member of:
Screen Actors Guild (SAG)
American Federation of Television and Radio Artists (AFTRA)
Directors Guild of America (DGA)
I grew up, lived, and worked in Los Angeles. I made the decision to move to Florida in 1991. In 1999, I was the President of the Orlando Chapter of the Florida Motion Picture and Television Association (FMPTA).
This partial list includes films and television shows I've worked on:
Battlestar Galatica
Tales from the Crypt
BJ and the Bear
The Doctor
Father of the Bride
The Flash
For the Boys
The Incredible Hulk
Grand Canyon
The Invisible Man
Hook
The Last Boy scout
LA Law
The Rocketeer
Naked Gun 2 ½
Veronica Claire
Star Trek VI
Wonder Woman
Starsky and Hutch
All in all, I’ve participated in over 250 movies and television shows.
Some of the shows I have produced and/or directed are:
Michael Winslow Live
Michael Winslow’s Comedy Cruise
Internal Power Self Defense
Ron Seggi’s Rock and Roll Legends
The Home Based Business Show
Success Stories
Up Late with Murray Langston
(The Unknown Comic)
My most famous client as a Personal Manager was Michael Winslow. Most of you will remember him as Cadet Jones from the Police Academy Movies. He was the one who made all of the sound effects using only his mouth and vocal cords.
As manager, I've been involved in high level deal making with Motion Picture Studios and Network Television.
I give you this brief bio as an introduction to assure you I know what I am talking about.
I've spent years in acting schools, stunt school, extension classes from USC and UCLA and two years at Sherwood Oaks Experimental College, a private film school in Hollywood. If I were to add up all the money I, alone, spent learning this information, I’m sure it would total well over $250,000.
Not to mention the value of my time. I decided to put all this information into an eBook after teaching this course to actors at Universal Studios Florida. Those students paid $350.00 per person to attend my six-week course.
I'm making this manual available to you at nowhere near that price!
You'll get this fact filled manual, jam packed with everything you need to make it in ‘The Business of Acting’ for only $???.??. I have a special offer I'll tell you about in a minute.
Why am I giving you this valuable manual at such a low price? This information is worth at least 100 times that amount. Because, I've made it into a digital product, available only through the Internet.
That means that I don’t have to keep inventory. I don’t have packing or shipping costs. I don’t have to hire employees to take orders over the phone (although you are free to call me at 407-381-4604 to assure you I am a real person). My overhead is low, therefore, so is the price that can help ... put you in the spotlight!
I'm also going to give you my ...
‘No-Nonsense, I must be Crazy,
30-Day 100% Money Back Guarantee.’
Take a look at, and put to work, the information you learn in this manual. If you don’t agree it's worth every penny - plus some - then simply let me know and I'll refund 100% of your money.
I'm a firm believer:
That’s why I take all the risk.
I'm absolutely certain you'll find this information helpful, and it will help you get what you want. If you don’t agree, then I don't want to keep your money. Simple as that! I love win-win propositions!
You may be asking yourself ...
“If you're so smart, and if you know so much, why aren’t you a movie star?”
To be honest with you, because not everyone will be a: STAR
I’ve made a good living as an actor, but never got the starring roles. I was what's known as a ‘Day Player.’ Nothing wrong with that. You can make a lot of money getting daily work.
Maybe my look wasn’t star quality. Maybe my voice was too high-pitched. Maybe there are a million reasons I didn’t become a household name. It’s impossible to pinpoint.
The biggest reason is probably because I didn’t stick with the acting side of it long enough to take hold. Many people have taken over ten, and even twenty, years before they became stars.
I chose to continue my career behind the camera instead.
What I do know is: you don’t have a chance of becoming a star if you don’t know all aspects of the business. The professional information in this manual will give you what's missing ... Star Power!
Special Offer
If you're ready to start your walk on the red carpet and want to order this manual before midnight tonight,
January 3, 2008
The investment is only:
$24.95
This file is in PDF only.
For a free download of a PDF Adobe Acrobat Reader click here.
WebTV users must purchase the non-digital version.
I'll also present you with the following FREE bonuses:
Dictionary of Industry Terms
A comprehensive guide to the buzz words used in our industry.
Personal E-mail Support for One Year
It's like having your own personal business coach. I'll be just a mouse click away.
My ‘No-Nonsense, I must be crazy,
30-day 100% Money Back Guarantee’
is in full effect!
For a free sample of how to succeed in:
‘The Business of Acting’
Please click on the following link: Sample Chapters.
Thank you for visiting my web site. If you have any questions, please feel free to email me at macstephen1@yahoo.com
Sincerely,
Steve McChesney
P.S. The how to succeed in ‘The Business of Acting’ hard copy, including the CD-ROM, is available for just $59.95. You may order it by clicking on the button below. Use this button only if you want the hard copy. I'll send you the manual via Priority Mail.
Remember this button is for the Hard Copy only!
P.P.S. With either version, you'll always have my 30-day 100% Money Back Guarantee. So, order now - let's get this show on the road!
Mac Stephens Productions, Inc.
3936 S. Semoran Blvd, Suite 402
Orlando, Florida 32822
Telephone: 407-381-4604
FAX: 407-382-1796
Email: macstephen1@yahoo.com